![]() ![]() Oh and we automatically debayer RAW image data from over 600 cameras not listed here into VisionLog, which you will then be able to process using Color.io. 5 - DaVinci Wide Gamut / Intermediate - BolexLog WideGamutRGB - CanonLog 1/2/3 BT2020 (Daylight & Tungsten) - CanonLog 1/2/3 CinemaGamut (Daylight & Tungsten) - DJI D-LOG D-Gamut - Fuji F-Log F-Gamut - Fuji F-Log 2 F-Gamut - Leica L-Log - GoPro Protune Flat - Kinefinity Kinelog 3 - Nikon N-Log BT2020 - Sony S-Log / S-Gamut - Sony S-Log 2 / S-Gamut (Daylight & Tungsten) - Sony S-Log 3 / S-Gamut3 & S-Gamut3.cine - Sony Venice S-Log 3 / S-Gamut3 & S-Gamut3.cine - Panasonic V-Log / V-Gamut - RED RedLogFilm DragonColor 1 & 2 - RED RedLogFilm RedColor 1 - 4 - RED LOG3G10 WideGamutRGB - Z-Cam Z-LOG 2 - ACES, ACEScct, ACEScg - ADX10 and ADX16 for the film folks This means you can create LUTs not only for all of these specific cameras, but also for every camera that outputs sRGB, Rec709, ProPhoto or Adobe RGB. ![]() At the time of writing, Color.io supports the following cameras and input color spaces: - sRGB - Rec709 - ProPhotoRGB - Adobe RGB - Apple ProRes Log - Apple ProRes HDR - VisionLog - Arri Log-C v3 - Arri Log-C v4 - Arri REVEAL Rec709 - Arri REVEAL Rec2020 - BMDFilm Wide Gamut Gen. Color.io has even extended ACES with proprietary IDTs to support cameras and workflows that are not directly supported by the official ACES version. ![]()
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